Tag: Creativity

20Feb

Fossilized

[Part 1 of this story is here.]

By Tuesday evening last week, I’d spent the first 30 hours of my long-desired writing retreat in a headlock with myself, and I was “cotta” as we say in Italian. Cooked. Burned out, beaten, and too exhausted to keep hurling myself at the wall of senseless panic standing between myself and my blank document.

I suspect that this is frustrating for some of you to read. After all, I was in Tuscany—Tuscany!—with three glorious days all to myself. I’ve watched friends go on similar retreats and thought, If onlyMy assumption was always that prolonged peace and quiet would act as creative steroids. If only I found myself in a similar setting, then I too could produce something out of this world. But now I was there, tucked up on an Italian hillside with a project idea I loved and an awareness of my own privilege cloying the air, and I couldn’t write a damn paragraph. You’ve heard the saying, “Wherever you go, there you are”? It would seem that I had gone to Tuscany and run smack dab into myself.

One thing depression taught me about myself years ago is that I will fight to defend my personal collection of shoulds until sheer rock-bottom exhaustion loosens my grip on them. I don’t surrender the expectations I have for myself any other way. And why should I? In the thick of depression, it only seemed right to keep trying harder and harder to act sane, to pacify God and be an uncomplicated wife and smother desperation on sight. If it wasn’t working, I just needed to double my efforts, yes? Not until much later, after the rock bottom and the rebuilding, did I see what a chokehold those expectations had had on my soul.

Now, I’m not saying that going on a writing retreat is anything like going through depression, but I’d certainly arrived at my hotel last week clutching a stack of notions about how the time should go, about how I should be. Privilege-guilt factored enormously into them, as did something else… something I couldn’t put my finger on with all of my thoughts bolting away the instant I got close. I didn’t know what to do with these expectations other than cling more and more tightly to them though. If I let go, the trip would instantly be rendered pointless and earlier versions of my jealous writing self would show up to punch me in the throat to the tune of “Loser.”

Thank God for exhaustion.

If I hadn’t surrendered my weary, 96% certifiable self to the idea of a writingless retreat and clicked over to Facebook for some distraction therapy that evening, I wouldn’t have seen this:

Curiosity not fear
(Liz Gilbert’s Facebook page is a gem. Get thee there, stat!)

And if I hadn’t seen this, who knows how long it would have taken me to recognize the “something else” that had been giving my brain a 30-hour swirlie as fear?

Working with words can feel like trying to choreograph dust motes. Until sentences land on the page, they’re nothing more than airborne particulates, figments of psychology and instinct that tend to dissolve on eye contact. Being afraid of writing is essentially getting worked up over nothing. That was my first thought when I read Liz’s quote. What do I possibly have to be afraid of? I’m here to transcribe thoughts, not diffuse bombs. This is a zero threat situation. WTF, brain?

When I took stock of how I’d been approaching my project, however, curiosity was nowhere to be found. Stephen King refers to stories as fossils that we excavate through the writing process, and ideally, I would have been on my knees with a trowel and an old toothbrush, intrigued to see what I’d unearth. Instead, I was paralyzed at the side of the dig. Because what if I uncovered a fossil so hideous that it made folks clutch their pearls and call their congressmen in protest? Or what if the fossil turned out to be so boring that museum viewers would ask for their money back? Worst of all, what if I had the wrong tools and botched the whole operation? What if I failed?

Fear, meet Bethany. Bethany, Fear.

Getting myself in a staring match with fear was no more helpful to me than beating myself over the head with reminders of my own privilege had been. This wasn’t something I could power my way through. (Depression 101.) When I latched onto the word “curiosity” though, it pulled me right off my petrified feet and through the murk to a new perspective on what I was doing. I closed Facebook and opened Google. Research time.

Writing retreat - research

The rest of my retreat looked very different from the productive type-o-fest I’d expected. I went on long walks in the cold, ordered espressos, and adopted various park benches near my hotel for the purpose of daydreaming. I scribbled sideways and upside down in my pocket journal following looping threads of whimsy. I clipped about a hundred of the most bizarre search results to Evernote (out of curiosity, how likely is the FBI to investigate writers?) and then filled another page with follow-up questions. I still had to beat back the granddaddy of all F-words, Failure, which was all too happy to inform me that I was squandering my retreat and that research was basically procrastination in a pair of pince-nez, but curiosity kept me on a joyful forward momentum that no collection of shoulds has ever prompted in me.

I returned home last Thursday about as tired as I’ve ever been. Winning a battle doesn’t mean you’re unscathed by it, especially when you weren’t expecting the fight in the first place. I’m still feeling tender and bruisable, and I can’t pretend not to be disappointed that I didn’t return from my retreat with a manuscript of any length. I’ll be wrestling with the hows and whys of that for a long time, I suspect. However, I did bring back one significant treasure: the outline of a fossil, as clear and intriguing as a headline. And I’m not afraid of it.

Writing retreat - Bench

18Feb

My Own Personal Tuscan Blitzkrieg

For Valentine’s this year, Dan gave me something I’ve hinted (except without the subtlety part) about wanting for ages: a few days away from home by myself with absolutely no responsibilities other than taking dictation from my muse. No one except myself to feed or clothe or deodorize. No interruptions. No need to operate on a normal or even a sane schedule. My own personal Tuscan writer’s retreat.

I couldn’t have arranged it any better than Dan did. He booked me a room in a tiny hillside town that I’ve visited before (i.e. – no pressure for me to sightsee) and loaded up a grocery bag with tea and chocolate and sandwich fixings and ramen “nudolini.” I asked him about a thousand times if he was sure he and the girls would be fine, and he assured me a thousand times that not only were they going to be fine but that they were going to party it up and have company every day. (While the introvert is away…) The man has often outdone himself in the gift department, but this one left me particularly wobbly-kneed.

We kissed goodbye, and I drove off into the Monday morning sunshine last week dreaming of my return trip in three days’ time, at which point I would have twenty or thirty—or hell, why not two hundred?—brand new single-spaced pages saved to my hard drive. The prospect of focusing and digging into my current writing projects felt like a giddy secret. I was so going to win at this thing.

If you have any experience reading stories, you’ll know that that last sentence portends doom.

The champagne bubbles trailing across my imagination lasted until the moment I had finished unpacking my suitcase. I looked around my hotel room, realized with an awful kind of clarity that I would now be spending 84 hours in my own company, and began losing my mind. Truly, that’s the best way I can describe what happened. My brainwaves began to scatter like so many spooked chipmunks. Thoughts dropped out of my head the minute I reached for them and began running up walls, scrabbling under doors, whirling themselves down drains, and tucking themselves into the impenetrable sheet folds at the foot of my bed.

I went to bed at 8:00 that night with exactly three sentences written, each one of which had required an unmedicated wisdom tooth extraction of the soul. My plan was to bid this day good riddance and get up at 4 the next morning with all of my brain cells back in their proper places and waves of inspiration lapping my fingers. I couldn’t explain what had gone wrong so far, but I was sure it was nothing that a good night’s sleep couldn’t cure.

This may actually have been true.

I wouldn’t know though. That night, I managed about two hours of total sleep, snatched in fifteen-minute increments while insomnia was on coffee break. I can only remember two other nights of my life dragging by so agonizingly, and both of them involved childbirth. This time, it wasn’t my uterus taking me hostage but a mind that had turned as spastic as a volcano full of Pop Rocks. My 4 a.m. wakeup call came and went in a fog of despair that pleated itself as firmly as hotel sheets around the corners of my room.

By lunchtime the next day, I’d realized that this retreat wasn’t going to be a “retreat” at all. Not if I stayed, that is. Every minute of that morning, I’d had to consciously beat back the impulse to give up, and not just to give up on the projects I was[n’t] currently working on but to give up on writing altogether, on the idea of ever again sitting down in a quiet space with the intention of creating. Fears that I had never seen before came scuttling out of shadowed cortexes. Writing, the creative outlet I took up out of pure joie de vivre when I was five, was suddenly the most terrifying construct in the whole world, and I wanted nothing more than to drive home and pretend this getaway had never happened.

I couldn’t have been more bewildered by how my writing retreat was going than if I’d gone to Disney World and promptly been bludgeoned comatose by Winnie the Pooh.

[For the sake of your sanity and mine, this is gonna be a two-parter. Stay tuned! Oh, and if you’ve ever experienced similar terror over something you love to do, feel free to share. Misery loves company, even in retrospect.]

[Ed: Part 2 here.]

15Jan

Book Stories: The Original

On the recommendation of about half my social media feed, I finally checked out the novel Lila a few weeks ago. (A digital library account is an expat girl’s best friend.) In case you haven’t heard of it, the book centers on a woman who grew up as a family-less migrant worker during the Dust Bowl years, and at first, I was sure the story was going to end as gritty and bleak as its historical setting. In fact, I put it down about a third of the way through and had to talk myself into picking it back up a week later. I was so wary of letting myself be dragged into a fictional despair.

By the end of the book though, I understood how Marilynne Robinson had won a Pulitzer for Lila’s prequel. Her writing transported me simultaneously out of my life and into a deeper plane of it. The final chapters were so stunning, so honest and tender and hope-spun, that I just sat with the finished book for a while keeping company with my own experience of it.

And these were my first two thoughts, in order of appearance:

  1. That book was so inspiring. I can’t wait to crack open my laptop tomorrow morning and work on fleshing out some storylines of my own.
  2. That book was so intimidating. How can I possibly write another word of my own knowing that artists like Marilynne Robinson exist?

This is the black hole into which creative types have been tripping since that first cave man thought to contrast his stick-mastodon with that of his neighbor. Comparison is a void from which not even light can escape. I know that. We all know that. And yet…

It’s so easy to let someone else’s work mean something about my own, especially when that work induces some kind of emotional reaction in me. “I love that book” turns almost automatically into “I could never hope to write something like that;” “I hate that book” blurs immediately into “I could do so much better.” And all the while, my creative, original soul shrinks further into the background, forgotten. You know exactly what I’m talking about, yes? If it’s not about art, it’s about fashion sense or professional accomplishment or interior design choices or parenting styles. We compare as if those artificial pedestals were the ground holding us up.

I’ve been in the process of figuring out where to allot my time and energy this year, and there’s a phrase I keep returning to. It’s from the Bible, actually, though you wouldn’t think it. (That’s why I love the Message version; it always surprises me.) At some point, I’m going to frame these six words in some clever Pinteresty way and paste them above my desk so that I can’t help seeing them each time I glance up:

“Each of us is an original.”

This is the bedrock under the pedestals, the antidote to the endless game of measurements. And it’s what I’ve been returning to each time I’ve lingered on the genius of Lila. It allows the book to be beautiful without it reflecting a single blessed thing on me. The relief of that cannot be overstated. It’s like unstrapping a pair of ten-pound ankle weights, or like plucking a capacity for inspiration out of thin air. The freedom to be original is Lila’s gift to me at the outset of this year. Or more accurately, it’s the gift I’m giving myself through her.

Book Stories - Lila

In this series, I’m foregoing traditional book reviews and instead sharing Book Stories—why certain books have impacted me, how they’ve entwined themselves through my life, and what the long-term effects are. After all, what better way to talk about stories than through the medium of story?

(If you have your own close encounter of the literary kind you’d like to share here, just send it on over to hello{at}bethanybassett{dot}com.) 

10Sep

Book Stories: The Meme

No doubt you’ve seen it making the rounds through Facebook:

“List 10 books that have stayed with you in some way. Don’t think too hard or try to give ‘right’ answers, just write down 10 that have affected you/moved you/caused you to neglect your family, job, and basic hygiene for 36 hours straight/invaded your dreams/ prompted you to abandon dignity in favor of cosplay* or fan fiction/necessitated the author’s taking out a restraining order against you.”

*Not a sex act, sorry. “Cosplay” is short for costume play, which is short for dressing up like something else, which is admittedly delightful and fun but almost certainly not dignified.

If you’re anything like me, you’ve bounced up and down in your computer chair willing someone to tag you so you too can compile your list. Such is the power of the meme that one is not psychologically able to start thinking about her 10 books until she has been granted permission to do so by social media. (Please tell me I’m not the only one with a compulsive respect for pointless or nonexistent boundaries.) To the relief of my list-loving heart, I have now been tagged (thanks, Rachael!), and rather than listing my ten books as a Facebook status, I wanted to introduce them here, Book Stories style.


(Eggplant nails at Erika’s request)

1. Anne of Avonlea by L.M. Montgomery

When I first read the Anne of Green Gables series as a girl, I only really liked the first book about Anne’s childhood and then the three final books about her children’s escapades. The middle books about Anne’s career hopes, love interests, and coming-of-age heartaches bored me… until one day, they didn’t. I was in between college semesters and boyfriends of my own when I picked Anne of Avonlea off my dusty bookshelf and cried right through the final page. L.M. Montgomery is magic, folks. (But you already knew that.) 

2. Blue Like Jazz by Donald Miller

I was still a newlywed, pre-babies and only about two inches into my recovery from fundamentalism when a friend recommended Blue Like Jazz. I read it aloud to Dan, a chapter each night before bed, and it was like discovering my right to breathe. It very well may have been the first time that I’d heard God spoken about conversationally, without religious jargon, as if he actually had a place in everyday life. This book is spiritual stress relief.

3. On Writing by Stephen King

I can’t remember exactly when I snagged this off the shelf at Barnes & Noble, but I do know that it’s scarcely left my writing desk since. I only pick it up to read when I’m working on fiction because a page or two is all it takes for story inspiration to rush at me like a telepathic kid out of a haunted hotel. I should point out that my preferred genre is not that of the good Mr. King, but damned if he doesn’t make my mind itch to create something new.

4. The 4-Hour Workweek by Tim Ferriss

I know, I know, everything about this book screams GIMMICKY! It was a crash course in entrepreneurship for Dan and I though. We got it a couple of years ago during our transition into self-employment, and while it did not catapult us into the ranks of “the new rich” or reduce our workweek to four hours, it did give us the gift of perspective. We now use terms like “batching” and “80/20” in everyday life (most often when trying to get out of housework, but still), and whenever I’m feeling discouraged about our rolling job situation, I let the FHWW remind me that we’re normal… ish. Not alone, at any rate.

5. Dandelion Wine by Ray Bradbury

I’m not sure what it says about me that the book I read most frequently for the pure joy if it was a high school reading assignment. To be fair to myself, though, it’s not like I go around toting Oedipus Rex on beach vacations or cracking open The Complete Works of Shakespeare on flights. Have you ever watched the darling film Il Postino where Pablo Neruda teaches an uneducated Italian postman about metaphor? This book is what taught me.

6. Hope Beyond Hell by Gerry Beauchemin

Over the year and a half following our move to Italy and Sophie’s birth, depression effectively broke down all my internal religious etiquette. I called up a friend from the States who I knew wouldn’t disown me when she heard that I could no longer believe in a God who made eternal torture the default destiny for humankind. She knew exactly what I was talking about and suggested that I read Hope Beyond Hell. I don’t think I’m putting it too dramatically when I say that this book saved my faith.

7. Field Guide to Now by Christina Rosalie

Christina’s blog is largely responsible for getting me writing again back in 2007. Her way of noticing the undercurrents of art in daily life and making poetry of their prose stirs up answering instincts in me. Hers is a creativity founded on intention and delight, and this book is one of my favorite things to read in the pre-dawn hours with a notepad and pen in hand. It makes me want to live and create and then live some more.

8. The Count of Monte Cristo by Alexandre Dumas

1130. That’s how many pages of small text my unabridged copy contains. And I loved every one of them. Often after work, the summer I was 18, I’d drive to an uptown Starbucks where I’d order a venti coconut frappuccino and sit in the sunshine to read… and read… and read. Dantès’s revenge is so complicated and satisfying to read that I didn’t know whether to celebrate or to cry when I reached the end. I’ll be reading this one again… next time I have an entire summer of afternoons at my disposal (ha!).

9. The Shack by Wm. Paul Young

I almost don’t even want to talk about this book because it’s meant so much to me. Hope Beyond Hell is what saved my faith, but The Shack is what saved my heart. I first read it on a Sunday morning while Dan and the girls were at church. It was a day when all the weight of my fundamentalist upbringing was suffocating me, and I felt so wounded by Christianity that all I could do was lie on the sofa and reach for this book that a friend had lent me. And I met a God of love in it.

10. Harry Potter and the Deathly Hallows (Book 7) by J.K. Rowling

Roughly estimating, I’d say… oh, 99.81273% of the 10 Books lists that I’ve seen circulating on Facebook have included the Harry Potter series. It’s amazing, isn’t it, how deeply the story of The Boy Who Lived gets to us? The final book of the series came out right as we were moving to Italy, and I saved it to read in the hospital before and after Sophie’s birth. That was a frightening and larger-than-life time for me—having a baby three months after moving to another country whose language I did not yet speak—and Harry Potter & Gang’s story helped give me both an escape and the courage to stay.

All right, then. I tag YOU to share 10 books that have stayed with you in some way (even just here in the comments if you don’t want to go all Facebook-official on it). No right or wrong answers, remember, and if you have forsaken hygiene or dignity for the sake of those books, then know you’re in good company.

26Mar

My Muse, the Diva

Hi, my name is Bethany, and I’m a high-maintenance writer.

In Mason Currey’s Daily Rituals, a charming peek into the habits of creative geniuses over the centuries, I read about Frances Trollope, an English novelist who started writing in her fifties to provide for her family. She would get up in the middle of the night so she could finish the day’s writing in time to make breakfast for her six kids and infirm husband, and in this way, she produced over 100 books. Forget the ability to deflect bullets or to use one’s tiara as a boomerang of destruction; this lady was Wonder Woman.

I, however, identify much more closely with Frances’s son, also a novelist, who paid an old servant to wake him up early each morning with hot coffee and “no mercy.” In his autobiography, Anthony Trollope attributed his success to that arrangement. Now, I don’t have a servant, but I do have a husband with mad cappuccino skills and a kind heart whom I can directly credit for my state of not-in-bedness this morning (…aaaand just about every other morning of the past year). This isn’t really a matter of my being lazy; in fact, I spend my weekends looking forward to Monday’s arrival and that first blank document of the day. I love writing. It keeps me whole and sane and humanoid. However, my ability to write comes with an impressive list of conditions.

When I write, I venture into a different realm of consciousness. My focus intensifies on the elements of story behind the patterns of daily life, coaxing them forward like holograms in a Magic Eye image. Just as with those Magic Eye images, writing requires a delicate balance between concentration and relaxation; some muscles need to go slack in order to see the picture while others must tremble taut to hold it in place.

This is why I have trouble writing when someone else is in the room… or when I’m up against time constraints, or when some other matter has just been brought to my attention, or when I’m tired, or when our family routine is off, or when I’m frustrated about something, or when a head cold’s coming on, or when a favorite TV character has died, or when I haven’t started my day with that sandy-eyed sip of caffeine, or, or, or. I know. My muse wins for most ridiculous diva of the creative universe.

In her defense, however, she doesn’t require me to chain smoke or slip Jack Daniels into my tea or sell my soul to Chernabog in order to write. She lets me broadcast on my own brainwaves and heartbeats, and for that, I am grateful. Not all artists are granted that luxury. In context of all the mental illnesses and addictions that have traditionally plagued creative types, my reliance on quiet, unhurried hours hardly counts as a quirk, much less a neurosis. Still, though, I dream of one day being able to plop down on the bed where my chickenpoxy six-year-old is practicing her reading (to use a totally hypothetical example that has no grounding whatsoever in the realities of our home right now*) and crank out a work of art in between phonics tutorials and applications of calamine. If Mrs. Trollope could write novels before breakfast, surely I can learn to be a little more flexible in my writing habits. Not needing all nearby life forms to cease and desist while I’m working, for instance.

* on Opposite Day

I just have to get my muse on board first. She’s currently locked in her dressing room pouting about the fact that she and I can’t run off together to 1920s Paris and wear feathers in our hair and never have to think about anything other than being fabulous. The coffee is clearly wearing off. I don’t know; maybe it’s my lot in life to be a high-maintenance writer, ever at the mercy of loud footsteps and motherly concerns. I can’t tell you how much I’d like to move past that though—to be able to tap into my creative center no matter my circumstances. Even convincing my muse to pause her pity party for the next hour would be a step in the right direction. Maybe threatening to have four more children would do the trick…?

30Sep

One Week Forward, Two Days Back

This morning dawned as damp and unappealing as a washcloth left in a puddle overnight. Hazy attempts at blue stain the cloud cover outside my window, but the effect just depresses me; even the gloom is halfhearted today. Morning air hangs sodden over my nose and mouth, and I file through my collection of coping mechanisms for something that won’t A) leave me feeling like I squandered this gift of time or B) result in me having to explain to the rest of my family why all the chocolate chip cookies have disappeared.

I settle on a butter-yellow candle and Sigur Rós in the headphones. Immediately, I remember a comment I recently saw on a photo of Sigur Rós in concert: “Too bad they’re endorsing in homosexual & promiscuous live styles, violent environment protection & Neo-paganism – Nordic worship.” Oh, Internet Comment Sections. You win again with your unique interpretation of grammar and utter incomprehension of The Point.

The Point of my candle and my gay puffin-worshiping music, of course, is to reinfuse my senses with beauty. Weekends can be so depleting in that regard—my hours unstrung from their usual weekday progression and looped around the laundry basket, the dinner guests, the pages of curlicued a’s that Sophie needs to finish for homework—and as much as I love the concept of diving headfirst into Monday morning, I inevitably start the week with an aching need to backtrack and collect myself from where it was dropped on Friday.

This has long frustrated me. The comic book version of myself that my imagination keeps on file is steadier than this. She doesn’t lose her sense of footing or the rhythm of her creative pulse after a mere two days of busy distraction. Her laser vision catches the sparkle of life beyond the weekend, and she can relax into the happy confusion of game nights and home improvement projects knowing that her super self will be waiting, suited up and ready to go, on the other side.

The real me, the one sporting reading glasses and unwashed hair (true to form, our building’s hot water went out again for the weekend and is now sleeping off its hangover on a friend’s ratty couch somewhere), the me who is equally unhinged by runaway schedules and the color gray, the un-heroic, un-super, un-steady me has yet to make peace with weekends. It is how it is. But not how I want it to be. If I am allowed so much want in a life already characterized by abundance, I would add this: that I want to make peace with time’s anomalies, find joy in them even, and retain such a vibrant sense of presence throughout that Monday mornings of the future will find me already in forward motion.

~~~

Do you experience weekends as disruptions or rewards… or something entirely different? What is your routine for transitioning back to the Monday morning world? 

30Jan

Why I Swore Off Social Networking… and Came Right Back Again

Last week, the words wouldn’t come. I tried, planting myself in my computer chair and waging blinking contests with the cursor while time ticked away. I tucked a notepad and pen into my gym bag. I took inspiring books along on errands, just in case the orbits of opportunity and creativity finally decided to align while I was out.

They didn’t.

It wasn’t that daily life wasn’t providing enough material. On the contrary, my brain was wound so tightly with big decisions, big goals, big feelings, and the big events in loved ones’ lives that I felt like the first scattered trembles of a supernova. Writing is usually how I ward off eminent explosion, but the words wouldn’t come… and to be honest, my break from blogging felt a lot less like spelunking my way to clear-mindedness and a lot more like somersaulting through space.

~~~

One of the Big Thoughts I’ve been working through this month has to do with online community. I’ve always hated reading Facebook statuses like “I’m sick of Facebook” or tweets proclaiming “So long, Twitterverse.” Besides the obvious irony of swearing off social media ON SOCIAL MEDIA, those kinds of statuses make me feel personally rebuffed, as if those friends had grown disgusted with the idea of staying in touch.

You can understand then why I cringed so violently a couple of weeks ago when I caught myself telling Dan, “I’m thinking of quitting social networks.” I could not have felt more hypocritical in that moment, but I had just spent twenty minutes reading up on the newest controversy everyone was talking about, and the end result was the same gritty black aura of criticism and outrage that so often descends on me when I click the Facebook logo. Wait, he said WHAT? How can she possibly think that? Oh no you didn’t just go there. Why would they think anyone wants to know THAT? What the hell…? I can’t believe…! Don’t get me started… etc. etc. forever and ever amen.

The truth was, I no longer liked myself on Facebook. I hated my immediate impulse to form judgments about my friends based on a parade of links, likes, and one-sentence status updates, and it stung to realize how much time I could lose in a day chasing down controversy. Beyond that, I realized how much of my self-worth I was hanging on that same haphazard system—tallying up likes, strategizing the best times of day to post links, and even brainstorming blog topics based on how much buzz they might be able to generate. I was basing my online interactions around seeking and withholding approval, and it was poisoning my creativity at its relational heart.

So I told Dan I was considering giving it all up—deleting my accounts, turning off blog comments, disabling social media plug-ins, and just creating in happy isolation. No more crowding my mind with others’ opinions. No more reliance on instant validation. If I were no longer networking, I would be free to publish my writing and then just walk away; the idea sounded glorious and not at all like previous friends’ decisions to swear off social media. After all, I wasn’t going to post about it.

~~~

Last week, I quietly stayed offline, alone with my Big Thoughts and the space to write about them without agenda… but the words wouldn’t come. What I’d thought would feel like freedom ended up feeling more like alienation, and it wasn’t validation I was missing; it was interconnectedness. It was Hey, I saw you’re having a hard week; can we bring over dinner? and Don’t worry; my babies went through that stage too, and I promise you’ll survive, and Wow, I never would have thought of things like that. I didn’t miss the controversy, but I keenly felt the lack of others’ worlds, your worlds, broadening and inspiring my own. Say what they will about how friendships conducted online are pale shadows of those lived face-to-face, social media protestors can’t explain away the very real and lasting value it has brought to my life.

In my disillusionment over the negative aspects of social networking, I had lost sight of the positive, and my week of distance sent me sailing straight into this: Encouragement matters, whether it is offered across a coffee table or across a series of IP addresses. If “encouragement” is too churchy a word (is it?), swap it out with “positive connectedness” or “affirming relationships” or simply “friendship.” The point is that what we have here counts, and while stats and retweets need to take on a much less important role in my life, that doesn’t mean the people behind them need to as well.

Author Emily Wieranga’s blogging resolutions ring especially relevant on this side of the to-leave-or-not-to-leave debate, where I know so clearly what I don’t want but so little of what I do:

“never write just for the sake of writing…
never not write out of fear of not having anything to say…
never comment on another person’s blog simply in the hopes of having them read mine…
continue to keep the comments section open, as a way to spark conversation”
(You can read the rest over on her blog.)

I suspect I’m signing myself up for a year-long, if not life-long struggle to find the balance between caring about the people in my community and not letting their opinions—even the validating ones—define me. I want to find that slim ribbon of perspective that lets me value your thoughts and learn from them and even catch ablaze on them without being consumed in the process. On the other end of it, I need to root my purpose for writing in something far deeper and more fundamental to my identity than what kind of reaction it will generate while still being sensitive to all of you who read it. Basically, my mindset needs to work on its fine motor skills.

~~~

Back in the early days of blogging (I started eleven years ago, which now seems positively prehistoric), I don’t remember any debate over authenticity vs. boundaries, apart from Dooce losing her job and advising the rest of us to “BE YE NOT SO STUPID.” In fact, I don’t remember any drama at all over post content; my blogging friends and I wrote 1) to flex our creative muscles, and 2) to be a community. We would get together at coffee shops and read our favorite entries out loud, then go back to our dorm rooms and blog about it. Some of us sported Blogger t-shirts. It was pretty awesome.

Today, blogging has the potential to be so much more—income, book-fodder, recognition—and it’s easy to absorb the idea that those outcomes are the reason we’re here. The pressure is on to come up with exceptionally written, SEO-friendly posts in our signature styles for our chosen niches with enough punch to go viral and enough relatability to attract loyal followers (ideally those in the publishing industry). Blog traffic isn’t just a perk, it’s the point, and though all our efforts are focused on readership, we miss out on community.

That’s both why I decided to quit social networking and why I came right back again. Here, as in my face-to-face world, relationships mean nothing without authenticity, and authenticity has no strength apart from relationships. Blogging simply doesn’t work for me without both factors. As appealing and praiseworthy as the life of a technological hermit may seem at times, it isn’t the route I’m meant to go, and now that I’m acknowledging that, now, finally, the words are coming back.

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How do you feel about social networking? Do you think it’s necessary for a successful creative life? 

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